Warning: Spoilers ahead, but not in chronological order. After watching visual artist Brian Gothong Tan's first foray into feature film-making, Invisible Children (2008), it took a while for me to pin down exactly what I felt about ... Most of them are eventually found but many are gone without a trace.” Even though the film begins with the use of the reductive bureaucratic practice of racial categorisation - Chinese, Indian, Malay, Others, the rest of the film unfolds ...
